Our day often consists of waking up at 6:30AM to be ready for a 7:30 bus call. If I think my personal involvement in the insanity occurring at the theatre at 8AM will be minimal, I will bring my personal pillow from the hotel to the bus, in the hope of getting to sleep more hours on the bus than I do overnight.
Our schedule here in West Lafayette is kind of insane. We started out re-teching The Spy, then tearing it all down to do a single performance of Henry V, then tearing that down to put the Spy set back up for our last two days. This has been a kind of boot camp for our crew, getting to practice almost every method of changeover before we leave our first stop. They're getting very good at it. Nick, being an ASM, deals a lot with props, and actor-proofing the set, so that's basically what he helps with during load-in and changeover. I really have nothing to do once the signage is up and I've put the proper calling script in the booth, so I kind of float around helping with simple tasks. Today I packed a drum in a cardboard box and carried a few things to and from our prop road box, then I went on a cleaning spree of the stage management work box, which it desperately needed. Then when I ran out of things to do, I went back to the bus and took a nap for about 45 minutes, before returning to help Nick set up for our 1-hour Henry performance for a student audience.
Thankfully, that performance was in the same building as our main shows are, in a small proscenium theatre, so we didn't have to go too far with our trunk of props. I hung out for that one and helped to set up and get the cast settled in before the show. The 1-hour show is Nick's baby, as there will be times when he has to stay behind to put it up in a city after the crew has left. As far as that show goes, he functions as the PSM, and whenever I'm available I will make myself useful as his ASM. This was the first time it's been performed, and although it's been rather underrehearsed due to all the work needed to remount The Spy, the cast did well and the kids seemed to enjoy it.
Now that the show is over, we are back on the bus. Bart, our very awesome driver, needs to take the bus for an hour or so, so the call went out for anyone who intends to hang out and/or sleep on the bus to get on for the ride. I'm not sure where we're going. I'm not sure where we are. It doesn't really matter. I think we're going back to the hotel for a while (where I suspect we are now), and then to a place where he can service the bus.
Tomorrow we have five final hours of rehearsal, and then we play our first performance of The Spy to a paying audience (finally! We started rehearsals Nov. 3!), then the cast stays here for a true day off before traveling to Poplar Bluff, MO. For the crew, we will load out the show Saturday night and immediately begin driving to Poplar Bluff, where it will be loaded in.
I still don't know where we are right now, but I'm pretty damn sure that's our cast bus parked inches away ahead of us. Either that, or there's more than one black rockstar bus with gray swirly designs in Lafayette, IN. I haven't explored their bus that much. I've only taken one brief ride on it. They have 12 bunks instead of our 8, which means they stack 3-high, giving everyone less headroom. On the plus side, the bunks are there for convenience, they don't ever actually have to sleep overnight in them. I heard a rumor they have a shower on their bus. That sounds nice in theory, I guess, but I'm sure the reality is more cramped and awkward than it sounds. Their front lounge is also smaller, which I don't like. On short jaunts around town, including our favorite pastime here in Lafayette, having a late-night dinner at XXX, Indiana's oldest drive-in diner (founded in 1929), we generally all sit in the front lounge, which can comfortably hold all seven of us. It's a nice chance to unwind, check in about how the show went, and discuss anything we need to. I have taken to claiming the seat at the table on the post-show trips, so I can write the report and send it before we get to XXX.
As far as the show goes, things seem to be going well. Last night was our first performance of Henry outside of the Guthrie, where we teched it. The adjustment to a very different space, and to a new local crew who were unfamiliar with the show, went pretty smoothly. It felt good to try that once, to prove that we can do it. I'm really looking forward to this week being over, and finally being done with tech and major rehearsals. We have a couple 1- and 2-nighters next week, which will be a different experience as well. I enjoy the travel, so I welcome the change of scenery. If there's one thing we've gotten experience with on this tour, it's changing scenery!
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